new label from hamburg!! great 2 tracker incl minimal lounge live act!!

low-end blessed, heavyweight dub techno piece from the top drawer of a rather well known, but perhaps deliberately shy producer. hand stamped and individually sealed in a simple yet rather beautiful fashion, this is arresting steppers business, no doubt. the cut, performed with all the soul and depth you expect from dubplates & mastering, is super loud and as heavy as required for all man-sized playing out needs. observed through the vapour trails of the downbeat side to basic channel, the advanced sound system research of chain reaction and echospaces afterswell - consider this as something of a two-movement love letter to august berlin rhythm chambers - heavily aromatic, opiated but still trudging rhythm and grace - enveloping bass, heady atmosphere, excellent

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

marcus homm provides the starting point with “transposer“: funky, impulsive and peppered with unusual sounds. next up, tom clark takes the helm with “ultimo” and steers a course towards the dancefloor peaktime! on the flip, asem shama and demir & seymen splash out. asem’s “erato“ rocks in exhilarating fashion, and the fresh new highgrade lads demir & seymen provide rolling percussion and powerful orchestral stabs on “ethnos“, which really give the dancefloor some legs.

a very special & limited vinyl summer set for all 12 inch junkies. a pure house master class : if you buy all 4 (orange, blue, green, violet) you can compose a picture of purple music s logo and have the best music reminders of the summer 2009 ....limited edition

the om 15 year anniversary compilation is chok full of tasty treats. one of our favorites is this >the latest< by sygaire & defcon featuring capitol a. sygaire (sonar kollektiv, raw fusion) is the the moniker of roskow kretschmann, who has quite the resume of contributions to modern dance music culture. starting with his role as member of jazzanova crew, to his later offerings as kosma, forum, and integra (compost, infracom!), roskow is obviously a man on a mission to spread incredible music throughout the world. here he is with partner defcon (raw fusion, melting pot), the alias of one philipp wohlleben. as innocent as that name might sound, do not be fooled. defcon stands for defense condition 5, and dj defcon brings the heat like a missile in the night. together these two have come with what clearly translates as a respectful bow to the old skool days, presented in true double 12 inch extended mix fashion, and complete with vocals from none other than capitol a.

cosmic metal mother strikes again, this time on argentos very own label, panacustica. here comes >twice,< a brilliant new 12inch inch with remixes from professor genius (italians do it better, u.s.a) and baby ford (ifac, u.k.). on the first cut, the mother explores deeper grooves in a more organic fashion, letting an ethereal, trippy, melodic piano line unfold on a solid, spaced-out disco groove. the remixes of this hypnotic monster are just as strong as the original. professor geniuss >ragazza mix< elaborates on the melody, delivering a layered synth stomper right to the floor, while baby fords remix deconstructs the track into pumping, minimal, machine funk, typical of his incredible trademark sound. panacusticas first 12 inch delivers pure soulful psychedelia.

is it balearic return with the seventh release on their acclaimed label ! is it balearic..? recordings present the deadstock 33s - a very >spicy< journey into wide screen space dub from the mind of justin robertson. >drifting on a wave< is a lush sweeping electro dub soundtrack from the master of dapper balearia ! despite perhaps being more well known for his heavy weight club sets, justin was instrumental in establishing the deep roots of manchesters balearic scene, along with aficionados moonboots and jason boardman. his spice night was a legendary event in the north of england and added a distinctly english spin to the balearic blueprint. celebrated underground edit maestros main stem tackle the remix, creating a beautiful epic balearo-dub soundscape which already sounds like an adriatic classic finally >echo sound< wraps it all up in a slow motion cosmic disco fashion, with more than a little italo swagger, twisted in all the right places. is it balearic…?-oh yeah

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

played and featured already by many artists like takkyu ishino, chris liebing, frank müller, laurent garnier, carsten schorr, gel abril etc...
a young talented artist from the heart of berlin. hawkinson might be one of the cities most talented djs. if you missed the true spirit of detroit, here we go! pumpin techno and no doubt full on. no chici picky fashion shit. remember the kids want techno and we give them hawkinson. reife musik as robert says ...

moments in rhythm is a series of cinematic snapshots taken from daily life expressed in a rhythmic fashion … this is the 1st of worthys moments in rhythm series to be released on aesthetic audio…. stay tuned

the chicks have been busy in the last 2 years, filming video, making art installations, girl monster extravaganzas, reading books, exhibiting all over the planet, making patchwork fashion collections (for insight, crystal ball and yoox.com), building high heeled shoe guitars, high tech super suits that trigger sound and video and other objekt instruments ... and they even found the time to make this new record!

first of 3 eps dedicated to the fashion white party.

this release offers 3 more tracks of quality techno! this time on the original mix angelo pomposo and tad g. dish out a track inspired by the murena, a fish infamous for its lethal venom. la murena starts in a deceivingly quite fashion, when, a couple of minutes into the track, the subtle background sounds take over with a mighty sting. by now more percussions add to the relentless groove. at the end just when you think it is calming down, a dark pad appears from nowhere bringing you in to the closing beats. all in all a track for every dj in search of good quality and effective dance floor productions. flavio folco and stewart walker take in charge of remixes! flavio folco s one is a deeper excursion into the dark side of tech-house, able to satisfy demanding customers with a good blend of dance floor oriented music. stewart walker s remix completes in great style the proceedings. while leaving behind his softer side he retains his own unmistakeable imprint with an excellent job, very much in tune with freshfood style! have fun!

played by brothers vibe, mike shannon, sebo k... from the beginning, marks dave hughes second ep release for palette. the three songs offer different variations on a single theme. from the beginning starts things off with classic sounding chords and punchy drums. from the start follows the theme in a more stripped down fashion, adding vocoded percussion with a powerful stab. start over continues in a more tricked out percussive form with clever programming and synth stabs. in all a club friendly three tracker and great follow up to his first ep on palette titled lets do it, the title track having recently been featured as the first track on john tejadas fabric 44 cd. dave is originally from ireland, but currently lives in los angeles. he has been djing since the age of 15, initially in dublin clubs along side many well known house djs. hes also made his way touring around europe, australia, asia and the us. he joined the current list of palette artists in the summer of 2007 with his first vinyl release lets do it. hes currently working on new productions with more soon to come.

2008 saw thomass busiest, and most successful year to date. having caught the ear of bpitch control boss ellen allien, february saw him release >ride on< on the label. >seduction< followed in june and july saw him rework ellens superb >out<. 2009 looks set for more of the same, and has lunched in the finest fashion with his third bpitch control release, januarys >somewhere around tristram< alongside quartz label manager and artist okain. which, brings us to todays release >offone<. three intelligently crafted and dazzlingly effective techno cuts, >offone<, >arp< and >watch yourself<, make this a serious contender for best techno release of the year to date. dark at times, brutal at others, yet all featuring a constant spine of parisian funk.

after the success of >disco trix vol. one< hardgroove continues the party vibes with trix vol. two, yet more familiar classics are wacked thru the sampler by mr ben and pumped up for peaktime useage in true hardgroove fashion. this ep features 2 different mixes of >dollar bill y all< as we couldn t decide of the definative version so lazily put both on, >reject 2< which was commissioned as a remix for spain s >dj nuke< but unused and >in the middle< which in our humble opinion is the finest slice of disco fromage sims has created so far

one of technos most diverse and prolific producers ‘mark broomis back again to demonstrate the definition of dub techno. this is a purist record through and through that unashamedly harks back to the classic chain reaction and basic channel sound, something that the world and its djs crave endlessly, and rightly so. all four cuts sail forth in calm warmth and steady bass, massive reverbs and echo are worked intermittently lifting everything upwards like a strong cosy breeze. the listener is forcibly bounced up and down in a gentle fashion, (we would expect nothing less than gentlemanly behaviour from broomer) and through proper application of decibels a full cellular body massage can result. this is essential dub for the techno journeyman out there. not only great to listen to, but also a helping hand with your exfoliation routine.

after his successfull midnight vultures ep last summer oleg poliakov is now hiting the winter with this new ep of what he called datcha music. for his new output on circus company the mysterious man delivers a beautifull deep house killer plus a bonus high class remix from the one and only portable (aka bodycode aka alan abrahams). rainy dayz (original mix) open up the a side with a sexy vocal loops which leads to a strong kind of old fashion house vibe built on a quite solid groove. welcome to the good nyc house music from oursk. this version is followed up by a superb deep house remix from mister portable. on the other side comes house of the sun. that’s the dancefloor killer of the record. a bit of détroit flavor, a bit of spoken word, strong atmospher. pay attention to that one. try it on the dancefloor on the right time and see what happen.

hudd traxx sister label smoke city with a deep jackin house ep with real attitude! rolling beats & bouncy synthy hooks are the order of the day here ?fans of migs, chandler & holder should head straight for the a side, you wont be disappointed! twisted on the flip opts for more focus on the beats, again working that infectious stabby vibe but in a much more dubby fashion. the non believers new world mix completes the package with a much deeper, spoken laced mood thats destined to cut it in the darker hours of the dancefloor.

new egyptian lover songs to celebrate egyptian empire records 25th anniversary! these are done the old fashion way with the 808 drum machine and analog keyboards. including >keep it hot< and yes it is hot! bass booms like no other in this song. this re-mix is going to rock your socks off. limited coloured vinyl. enjoy the electro pharaoh and all the new 12inch singles coming in 2009!!!

serialism continues to deliver superb electronic dance music with queen atom? debut ep. outta is a journey through mental, dark and deep soundscapes yet funky and harmonic, generally different from the whole vibe of nowadays minimal music. ?orror fest?is a unique piece that combines old school, long, hypnotic grooves, with fresh and innovative sounds, rainy soft synth tones and warm atmospheres reminding as a result of classic new wave techno from the 90s, mixed up with the freshest and avantgarde sound of the present. on the flip me2 and phlanoptik close the ep in a very stylish fashion.more percussive, more dancefloor, driven by a un-typical order that makes those two, special tunes for collectors. serialism bring us another release for the music lovers, perfect for after hours mood but also easy to listen at home.

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

>was originally called <319 acid<, similar to 516 acid , but it was called 319 as i started this on march 19th 2007. after playing around with ideas, and effects, i had created a panning motion in the track which when listened to in headphones travels in a >counter clock< wise fashion. i was listening to a set of (dj) dixon and noticed how slow and groovy most of the set was, which influenced me to make a twisted, intense track that was in the same tempo range.< josh wink ! chirs liebing comes on board for the remix and keeps a lot of the key elements, but delivers a more in your face version

after the huge moonbeam >flickering ray< , move recordings continues with this amazing release from the new single to come out of end-jy. the logo side track «demons » combining sublime slamming baseline and a killer kick. is an angry club stormer in their known electrotechno fashion. a jacking track that is guaranteed to make the club bump. as if this wasnt enough on the flip side « heat » pick up the pace with an amazing pumping groove, perfectly to rock the dancefloor. with a huge dirty bass and killer drums which will be played as a peak time weapon by djs across many genres..

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman-in-new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peak-time territory with the sinister sounds of >john boy<, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. >innit< takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion.

beretta grey presents the second record by detroit duo >reference< a.k.a. luke hess & brian kage.. >reference vs. vol 1<, consists of collaboration with other key beretta grey artists ryan crosson and seth troxler. each song was carefully developed by all artists simultaneously. sessions were held at interstellar studios in detroit with all artists present. the initial musical concepts were recorded and written. next, the songs were sent back and forth until the finished product was agreed upon by all parties. in this fashion, the music created provides the character and soul of each artist, but fused together in a way that creates a more detailed account. one perspective alone does not capture the whole story. in this release, a feeling is captured by four artists, giving the listener a bigger picture, which helps to better capture the concepts of sound as it relates to a moment in time

with >electro< this artist had been the spokesman of elektro-dance, and his dj sets are requested all over the world. this new single represent a new connection with doit yourself. remix by chriss ortega, fashion electro-house!!

stil vor talent - nice labelshirt, really with stil … oliver koletzki goes fashion

stil vor talent - nice labelshirt, really with stil … oliver koletzki goes fashion

2x12inch vinyl edition includes an exclusive version of 99 cents featuring gonzales. originally released in 2003...

phunkin timneless tribal techno

pets debut single a good day for telling lies is a three minute masterpiece that merges the harmonies of the best british pop acts like the kinks, with the energy of early motown artists such as the isley brothers. all dressed up in unique fashion, through innovative use of melodica and banjo. jonte olssons clear but unpolished vocals provides grit to a perfect pop equation.

an ultra limited release from mock & toof prior to their debut single for dfa which drops later in the autumn. two early tracks get reworked in uncompromising fashion by dissidents invincible scum (aka milo from chrome hoof & andy blake) and re-edit don mark e. invincible scum take no prisoners with an incredible piece of pure analogue techno while mark e takes takes k-choppers on a deeper route in his imitable chuggy style

original version in a typical district one fashion, tight, clean and funky..while the flip is a reshape of one of twos tag team from the swiss alpes aka mountain peoples peter dildo (andre rozzo) ..played by richie hawtin..

played by mathias kaden, someone else, tim green, franco cinelli, katzo and many more. minimood redefines minimal once again, this time bringing you yet another unbelievable talent from the bubbling underground tokyo scene: shu okuyama. the weiter ep demonstrates how they do geometry in a beautiful and fresh non euclidean fashion deep down in shibuya! note how the extravagant a1 punkt represents an irresistible example of the hypnotic hip twitching water crunk sound which is fast becoming one of minimoods trademarks. moreover, b1 strich is simply genius as shu completely axes conventionalism, swinging his sword with samurai abandon through jazzy keys, percussive hits, vocal snippets, analog blurps,..., and then re assembles them all to devastating contemporary effect! one ticket to tokyo, please!

original mad max is an angry club stormer in their known electro-techno fashion. peak time use only! brightness on the other hand is an emotional melodic end of night anthem, perfect for fans of gregor tresher and the like. but hold on to your trousers when you flip over this record, and kyle geiger - from drumcode fame - unleashes his remix qualities.

2nd part of remixes for the mighty sunburst band featuring dennis ferrer & the elektrons

excellent remixes by trickski , manuel tur & dplay

limited 12inch pressing of mid 90s recorded electro tracks by some unknown detroit electro artists. very obscure and probably a one time only pressing so dont sleep on these... tip!

incl indeep, the police, tom tom club, david bowie, moonbase, kissing the pink, soft cell, david byrne, marianne faithfull, captain sensible and esg

played by pan-pot, peace divison, xpansul, sebbo, dave dk, koljah, remute and many more... from steadily rising berlin based avant-garde label minimood artists so inagawa and fusiphorm educe yet another truly unbelievable release for you party lovin minimalists. fusiphorm s sizzling remix denotes beautiful hands-in-the-air-minimal as a new electronic genre by reconstructing rarest white tuna in the french alps. with >afterthought< tokyo s very own underground warrior so inagawa once again demonstrates his uncanny songwriting knack for hitting the g-spot dead centre. farther, >sofartogo< delivers another stunning piece which in typical so inagawa fashion manages to drive the night party forward without ever becoming too hard, too repetitive, too much anything in fact! a huuuuuge fourth release on this very special label!

us mc cadence weapon delivers a hot electro hip hop/dubstep blend for fans of spank rock, dizzie rascal or lady sovereign.

freerange celebrates its 100th 12inch release with a double vinyl release (this is part 2) including brand new tracks from key artists including jimpster, only freak/spirit catcher and palm skin productions. jimpster starts proceedings with a brand new track entitled got a hold on your soul, an appropriate title for a track that ll draw in the dancefloor with its warm, shuffling beats, lush chords and bleepy fx. palm skin productions lose it beefs things up a bit for an edgy tech house track with plenty of funk. belgiums only freak return with mental overdrive (remixed here by their alter egos spirit catcher). they round things off in suitably driving fashion with a powerful, stripped back monster of a track. spirit catcher have been enjoying huge success with their releases as well as awesome live gigs around the world.

incl remixes by d.i.m. oliver koletzki and tocadisco !! the second release taken from their forthcoming third album. ischerspooner is a collaborative art and performance project created by warren fischer and casey spooner that makes music, dance, fashion, film and photography.

following the mindblowing truesoul release by par grindvik comes this new 2 tracker by swedish artists nihad tule and lasseman and does not disappoint. in typical truesoul fashion there is a melodic influence with the a side - locomotion having a very clever building, driving groove that utilises some clever synth work and pitch bending pads to great effect. dj plays from - richie hawtin, paco osuna, adam beyer, perc, dubfire, christian smith, charles siegling, agaric, joel mull…

john tejada returns with a stomping slice of in your face techno. >labyrinth< is a winding journey through modulation and filter trickery reminiscent of his >infected< single from a couple years back. in your face drums and synths control a steady building energy that will spiral you into the labyrinth. balancing out the energy of the a side is >the tyranny of choice.< a signature syncopated melodic slice of tejada that layers melodies and rhythms in classic tejada fashion

rare 1980s disco not disco cuts re-issued.

eric sneo is probably one of the hottest german techno artists of the moment. you probably remember his severe hit on his beat disaster imprint - where he remixes manu chaos - king of the bongo! since than he has dropped nothing but kick-ass dancefloor killers. here we have another piece of peak time action following erics trademark techno fashion. a must for fans of terminal m, tclassixx, mb elektronics, compressed and clr!